My work lives in the space between written and visual language — in what remains unsaid, hidden, or forgotten. Through collage, drawing, printmaking, and textile, I give form to those silences, working in series drawn from stories, poems, and idioms that explore the feminine experience and its relationship to memory, voice, and absence.

My process is fluid and interdisciplinary. Found materials — art magazines, books, and garments — become part of my collages, while oil and acrylic paint build figures and spaces within them. Line and gesture run through everything; they structure space and carry movement and emotion across drawing, printmaking, and painting. Layering is both a formal and conceptual act: each surface holds traces of what came before.

Recently this investigation has extended into shadows — their relationship to nature, presence, and the invisible connections between beings. Shadows, for me, are both physical and metaphorical traces: echoes of our coexistence with the natural world, and evidence of what language cannot fully hold. Through printmaking, I explore how light and darkness interact to define form and perception, translating that dynamic into images that reflect the interdependence between people, nature, and the forces that bind them.